The kurtas Dadiji was pointing at, I later found out, were each hand-embroidered by her between 1975 to early 2000’s for Panditji to wear for his music performances, important meetings and album recordings!
The kurtas Dadiji was pointing at, I later found out, were each hand-embroidered by her between 1975 to early 2000’s for Panditji to wear for his music performances, important meetings and album recordings!
In 1989, my grandfather applied for an India-Bangladesh Passport, the only passport he ever had. This passport was unique in that it allowed lateral movement between India and Bangladesh only. Perhaps this document was the most coveted one for all those who migrated to India from Bangladesh. It holds with it an ocean of memories of struggle and identity.
Ma’s penchant for the handicrafts always mesmerises me. Sewing, embroidery and knitting are her forte.My mother has no exotic buttons in her box. She is not a collector. Her box contains regular, mundane buttons that she thinks she might find useful.
As the oldest of three sisters, Nani was given the heaviest and most exquisite paijeb out of the collection, on 8 March, 1969, her wedding day. This pair of payal has been in my family for more than 160 years now.
In October 1947, bauji registered himself at the Paharganj desk of the Ministry of Relief and Rehabilitation in Delhi. This refugee registration certificate issued by the Ministry became their first formal proof of belonging to this new land of independent India.
