The surface of the pendant is smooth, as is the case with Jade. This smoothness gives it an ethereal quality, and touching it, you do feel a sense of calm. You will see some textures and markings in the light, which have appeared over the years, as it was not stored properly. The gold etching on the pendant is delicate, and transports you to a different era.

In 1943, my grandmother and her younger sister got married to two brothers and subsequently, moved to Nairobi, Kenya with their husbands. In Gujarat, jhanjhar are considered to be an auspicious gift for new brides and it was on their wedding day, that my great-grandfather split this piece of jewellery between his two daughters, giving them each a single jhanjhar.

Before partition, my naani, Shanti Devi belonged to Lahore, now in Pakistan. She married my grandfather, Gyan Chand on 16th March 1950 in one of Karnal’s districts which is now Panipat. This is when she was given this keyring or ‘challa’ – as we call it in Punjabi – as a part of her wedding trousseau by her mother.

The coin from 1906 was no mere coin, but rather a piece of my great-grandmother’s jewellery. It was a part of her tagdi, the silver belt she wore around her waist on top of her sari, which was eventually bequeathed to my grandmother. The story goes that so beautiful was her mother that when her future father-in-law came to see the young girl, he immediately liked her for his son, and presented her with a silver coin. This silver coin, to be exact.

In our house, no one really would value the old, nor find it charming, but I immediately fell in love with this [tea set and watch]. My father still laughs at my obsession with these old things, but for me, it’s a little bit of preserving the lost past of Punjab and my family.